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artist statement

WHO AM I?

Like many Africans I never thought I had much of a future in a nontraditional career. However, over covid the trajectory of my life changed drastically. From that point forth my practice revolved around exploring who I am and where I have come from. It all began when I moved to California and very quickly realized how easy it is to be thrown in a box without your approval. As an individual it is very important to cement who I am for myself. 

The self exploration very quickly evolved into self assurance. What began as a tactile exploration of denim fabric evolved in a multidisciplinary practice that transcends traditional medium boundaries. I am relentless in the pursuit of helping the world see the true magnitude of African, specifically Kenyan traditions. Every piece is a deliberate act of defiance against the ordinary and socially acceptable way of art… life.

As a multidisciplinary artist I dabble in several mediums, photography was the first and I thought it would be a great way to document the world around me for others to see. I entered the scene understanding at a very young age that the representations of my world were through sources like natural geographic. In as much as those realities are true and do exist it is not the entirety of our being. As a result, I burnt out eventually as I was fighting so hard for the right reasons but for the wrong audience. I eventually turned to denim work after my uncle passed and really utilized that as a canvas to deconstruct my feelings around his death. Lastly, as I grew in my personal style since being at California College Of The Arts, I explored sculpture. Both traditional and nontraditional, I have made wearable pieces as well shelve-able pieces.

 

My process definitely fluctuates depending on the medium and prompt. What is special about my process is visibility. I aim at ensuring my subject(matter) is perceived in a better way than they see themselves in particular. In photography, I really prefer to immediately jump into the deep and shoot without necessarily having a reference because I feel like it is very easy to duplicate what you see. With my wearable sculptures I will braid a continuous piece of hair and crochet it into a garment that I can wear. There is definitely a theme of repetition and ritualistic tendency in my practice. I think of my self as a habitat for my ancestral tree to speak and work through. I tend to think my technique is instinctual and impulsive. 

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Gala Event Showcase

Nominated to showcase my ceramic self portrait during in the Nook from May 21st 2025 - May 28th 2025.

Interdisciplinary Bachelor of Fine Arts

Individualized Studies exists specifically for students whose work bridges media and disciplines that fall outside regular program and department structures. Students who are working in two or three closely related areas, such asdrawing/printmaking /bookmaking or sculpture/wood/ceramics, do not always need to work within the INDI process.

Arts and Crafts Showcase

Nominated to showcase a my photograph for the Arts and Crafts Showcase in November 2025.

SUSO Photographer

Appointed to photography/document outreach events, edit and distribute for about a year. 

School Photographer

Took images for the school events, year books, newsletter and promotional services over a course of 3 years.

May 2017 - Present

Key milestones

Group EXHIBITIONs

2026 APRIL 15TH - 17TH

muoroto

novack gallery 

2025

Forming A Shell Of Craft And Connection

Kala art institute

2025

With our hands

California college of the arts

inscriptions of a Farraginous Symphony

2024

California college of the arts

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